Now that it is much, much too late to matter, my team are belting the Kangaroos all over the park -- particularly the Burgoyne brothers, the Motlop cousins, Toby Thurstans, Brendan Lade and Domenic Cassisi, by the sound of the commentary. Peter Burgoyne when last heard of had 45 possessions, and the game's not over yet.
Sigh.
Saturday, August 30, 2008
Thursday, August 28, 2008
I'm so proud that she comes from my home town
From the ABC's online news:
Ms Gillard mocked Mr Costello for appearing indecisive as he has failed to spell out whether he is staying in politics or retiring.
She noted the company publishing Mr Costello's book, Melbourne University Press, has the motto "books with spine".
"We await this great entry into the literary world - a book with spine from a politician without one," she said.
Housekeeping: notes and queries
Can anyone explain why it is that kitchen implements, if shoved promiscuously and willy-nilly into an overcrowded drawer, appear to breed and multiply (giving forth in the process such nightmares as what seems to be the bastard offspring of a butter-curler and a melon-baller), but that socks and underwear, kept in a similar environment, do the opposite, so that you end up unable to find any clean bras except the itchy red lace one?
Inquiring minds want to know.
Inquiring minds want to know.
Horrorscope
'Don't make any long-term plans.'
It really does say that.
And I'm telling you now, if every Taurean gets wiped off the face of the earth in the next little while then every restaurant, every orchestra, every half-finished building and every bank on the planet will collapse.
It really does say that.
And I'm telling you now, if every Taurean gets wiped off the face of the earth in the next little while then every restaurant, every orchestra, every half-finished building and every bank on the planet will collapse.
Tuesday, August 26, 2008
Memory loop
This morning after I'd dropped off the car for its regular service, I wandered down to the nearby Hutt Street Precinct for a protracted mooch and dawdle in flâneuse mode till the garage should call and let me know the car was ready to be picked up.
Some time later I found myself passing a narrowish restaurant frontage: old black-painted wooden door, delicate little old-fashioned door-knocker in the shape of a little wreath, ancient art nouveau leadlight panel above the door. All incredibly familiar. I peered inside and recognised it as the restaurant that four of us went to for dinner the night our English Honours results came out in 1976; we'd hung out as a gang all year, and had planned the dinner as an act of solidarity no matter how well or badly each of us turned out to have done in the exams. And we did.
The restaurant was Neddy's, which had been opened by the now-legendary Cheong Liew the previous year, and was already one of the earliest signs that Adelaide was about to transform itself into a city of excellent restaurants, with radically new fusion-style cooking and an equally radically new emphasis on fresh local produce.
I found a near-empty cafe in an old and not-too-tarted-up building, ordered a hot chocolate and had just sat down with my novel when the music started up: Jimmy Barnes, another Adelaide boy, singing 'Flame Trees'.
... and I'm just savouring familiar sights
We share some history, this town and I ...
Some time later I found myself passing a narrowish restaurant frontage: old black-painted wooden door, delicate little old-fashioned door-knocker in the shape of a little wreath, ancient art nouveau leadlight panel above the door. All incredibly familiar. I peered inside and recognised it as the restaurant that four of us went to for dinner the night our English Honours results came out in 1976; we'd hung out as a gang all year, and had planned the dinner as an act of solidarity no matter how well or badly each of us turned out to have done in the exams. And we did.
The restaurant was Neddy's, which had been opened by the now-legendary Cheong Liew the previous year, and was already one of the earliest signs that Adelaide was about to transform itself into a city of excellent restaurants, with radically new fusion-style cooking and an equally radically new emphasis on fresh local produce.
I found a near-empty cafe in an old and not-too-tarted-up building, ordered a hot chocolate and had just sat down with my novel when the music started up: Jimmy Barnes, another Adelaide boy, singing 'Flame Trees'.
... and I'm just savouring familiar sights
We share some history, this town and I ...
Sunday, August 24, 2008
A message
Two of my dearest friends lost their husband and father last week and the funeral was on Friday. I wasn't going to blog about this at all, but the friend who "MC'd" the funeral said he had a message for us from the dead, and since I think S would want his message disseminated as widely as possible, I shall do my bit here to help.
Don't smoke.
Just don't.
Don't smoke.
Just don't.
Thursday, August 21, 2008
More Olympic coverage whingeing
How can it be possible, given its well-publicised infamy and the number of times we heard not just any old North Americans but actual Texans pronouncing the name of the place at the height of its fame, that Bruce McAvaney -- a man well old enough to have been watching the news in 1993 -- thinks the Texas city of Waco is pronounced 'wacko', as in 'wacko Jacko'?
I mean, you can see the association of ideas. But still.
I mean, you can see the association of ideas. But still.
Two ways of seeing the glass
GLASS HALF EMPTY
When you accidentally dislodged the small decorative basket that sits on top of the bathroom cabinet and contains dozens of small items pertitent to female grooming and titivation, and said decorative basket fell off the cabinet, there was a mighty clattering and smashing on the tiled floor.
GLASS HALF FULL
Only one thing actually broke.
GLASS HALF EMPTY
It was nail polish.
GLASS HALF FULL
It was clear nail polish.
GLASS HALF EMPTY
Because it was clear shiny nail polish, you couldn't see all the clear shiny tiny shards of broken glass lying in it.
GLASS HALF FULL
So you had to clean up with the dustpan and brush before safely proceeding to the nail polish remover, and now you've got an excuse to nick up to the shops, because you need to buy new broomware.
When you accidentally dislodged the small decorative basket that sits on top of the bathroom cabinet and contains dozens of small items pertitent to female grooming and titivation, and said decorative basket fell off the cabinet, there was a mighty clattering and smashing on the tiled floor.
GLASS HALF FULL
Only one thing actually broke.
GLASS HALF EMPTY
It was nail polish.
GLASS HALF FULL
It was clear nail polish.
GLASS HALF EMPTY
Because it was clear shiny nail polish, you couldn't see all the clear shiny tiny shards of broken glass lying in it.
GLASS HALF FULL
So you had to clean up with the dustpan and brush before safely proceeding to the nail polish remover, and now you've got an excuse to nick up to the shops, because you need to buy new broomware.
Self-portraiture
Inspired by Sophie's image, which I can attest does in fact look very like her within the limitations of the application and without really doing her justice, I went over there to make my own dolly.
Although it allows you to put lines on your face, unfortunately it only allows one set of lines at a time, so the possible variants go pretty much straight from fresh-faced 25-year-old to dessicated crone. While I am undeniably nearer the latter than the former, I wasn't quite ready for the crone set of lines, so ended up with this:

It was only then that I remembered that I've played this game before, with an application called 'Simpsonize Me!' that you can use to turn yourself into a Simpsons character, who by happy chance is wearing my exact reading glasses:

Those who know me will be aware that this second one is a great deal closer to the truth. I bet you're all laughing yourselves stupid. And rightly so.
UPDATE -- found a few extra options manga-wise. The first one was just an idealised decades-younger "self" but this one is just starting to move into the realms of the very slightly uncanny:
Although it allows you to put lines on your face, unfortunately it only allows one set of lines at a time, so the possible variants go pretty much straight from fresh-faced 25-year-old to dessicated crone. While I am undeniably nearer the latter than the former, I wasn't quite ready for the crone set of lines, so ended up with this:

It was only then that I remembered that I've played this game before, with an application called 'Simpsonize Me!' that you can use to turn yourself into a Simpsons character, who by happy chance is wearing my exact reading glasses:

Those who know me will be aware that this second one is a great deal closer to the truth. I bet you're all laughing yourselves stupid. And rightly so.
UPDATE -- found a few extra options manga-wise. The first one was just an idealised decades-younger "self" but this one is just starting to move into the realms of the very slightly uncanny:

Wednesday, August 20, 2008
Shock! Labour leader lists to left
Apparently 'left-wing' is now an insult, though whether it is being spun as such by this news.com.au journalist or whether the Australian government (which was Labor last I looked) really does feel embarrassed by having used 'left-wing' to describe a Labour leader, to the point of feeling the need to apologise, is something I will leave you to decide.
Clearly we are going down the absurdist path of such North Americans as regard the beautiful word 'liberal' as something to frighten children with. George Orwell, where are you when we need you?
The only person who comes out of this story not looking like an idiot is Helen Clark herself. "I thought it was a hoot and I don't propose to release the one I have on Mr Rudd."
Clearly we are going down the absurdist path of such North Americans as regard the beautiful word 'liberal' as something to frighten children with. George Orwell, where are you when we need you?
The only person who comes out of this story not looking like an idiot is Helen Clark herself. "I thought it was a hoot and I don't propose to release the one I have on Mr Rudd."
I'm so proud that he comes from my home town
H.G. Nelson (aka Greig Pickhaver) in this morning's crikey.com.au:
Suddenly a green and gold silver eldorado has been unearthed in Beijing. At this stage of the international school sports carnival we will take anything that glints.
...
There is a funding crisis across every theatre of sport. Australia is simply not spending enough. Figures analysed today indicate that we tip 40 million large down the spout for every gold medal. The question to pose is: does any of this lolly tipped in at the top trickle down to getting fat, unfit kids on the move?
There is bugger all evidence to suggest that up top investment is paying off slimming on the nation’s bottom end. Australia bats well above its weight in the world’s obesity tables. This is something for politicians to ponder as the bids for funding filter in.
Disgraceful Olympics commentary: update
From this morning's Adelaide Advertiser (online version):
Almost knocked off her bike by the hulking Chinese in the collision ...
Saturday, August 16, 2008
Separating the men from the boys
Unlike many bloggers I've been enjoying selected parts of the Olympics, especially the equestrian events which are always beautiful and exciting to watch -- the horses are wonderful, graceful, powerful creatures and the riders are incredibly gutsy and smart. My benchmark for watching horses and riders is an unforgettable afternoon once in Vienna when I went with my friend Helen to watch a training session of the Lipizzaner Stallions, in the indoor arena of the Hofburg palace where these horses and their riders are based.
Because it was a training session, of course some of the horses were only half-trained. They're stallions (duh), and everyone knows what that means. And because they originated as war-horse training, the elaborate, unnatural 'dancing' movements of these horses were originally designed to kill and maim, or to set up the rider to do likewise. Watching the strong, sweating, white-faced riders, some of them hardly out of their teens, as they controlled these horses without hurting them, was the second best lesson I've ever had in what it actually takes to ride a horse properly. (The best was when I fell off a cantering horse onto some rocks at the bottom of a dry creek bed and heard my mother's voice clear as a bell from 750 km away saying in ringing tones 'You get back on that horse.' I did.)
I've also been enjoying the swimming, which was my favourite sport as a teenager. What I have not been enjoying is the commentary; while I appreciate some (not all) of the commentators' knowledge and expertise, I've been depressed if not surprised by the way that the overwhelmingly male commentariat refers to male competitors as men and female competitors as girls. Several people have blogged about this over the last few days.
But I've had it on all afternoon and evening while pottering round the house and I've noticed something even more sinister. There are not two categories, but three. They're calling the women 'girls', the white men 'men', and the black men 'boys'.
Because it was a training session, of course some of the horses were only half-trained. They're stallions (duh), and everyone knows what that means. And because they originated as war-horse training, the elaborate, unnatural 'dancing' movements of these horses were originally designed to kill and maim, or to set up the rider to do likewise. Watching the strong, sweating, white-faced riders, some of them hardly out of their teens, as they controlled these horses without hurting them, was the second best lesson I've ever had in what it actually takes to ride a horse properly. (The best was when I fell off a cantering horse onto some rocks at the bottom of a dry creek bed and heard my mother's voice clear as a bell from 750 km away saying in ringing tones 'You get back on that horse.' I did.)
I've also been enjoying the swimming, which was my favourite sport as a teenager. What I have not been enjoying is the commentary; while I appreciate some (not all) of the commentators' knowledge and expertise, I've been depressed if not surprised by the way that the overwhelmingly male commentariat refers to male competitors as men and female competitors as girls. Several people have blogged about this over the last few days.
But I've had it on all afternoon and evening while pottering round the house and I've noticed something even more sinister. There are not two categories, but three. They're calling the women 'girls', the white men 'men', and the black men 'boys'.
Friday, August 15, 2008
Blue and yellow
I grew these, from bulbs my sisters gave me -- the daffs from C this year as an Easter present instead of chocolate when the family came down here for a hot cross bun arvo tea, the hyacinths from W for my birthday in May. The vase is green alabaster from San Gimignano in Tuscany, a town made famous by E.M. Forster, bought there and brought home in a little backpack, heavily wrapped in soft clothes.
Given that I had a black thumb till I was 45, I think our mother would be proud. Not that I did anything but bung them in pots and forget about them.

For me this picture is both nothing but itself -- flowers, perfect and powerful, with intense and brief and burning lives -- and also immediately about an accreted mass of memory from a life spent mostly reading. Wordsworth. Ovid. Forster. A.S. Byatt. My mother chanting 'daffy-down-dilly'. The perfume I wore circa 1981, whose name I now can't remember, but which smelt of hyacinths, dense and ever so slightly bruised, not exactly sweet.
Any sighted combination of blue and yellow has immediately evoked these pages from Still Life ever since I first read it, and the date I've written on the flyleaf is 1985.
Given that I had a black thumb till I was 45, I think our mother would be proud. Not that I did anything but bung them in pots and forget about them.

For me this picture is both nothing but itself -- flowers, perfect and powerful, with intense and brief and burning lives -- and also immediately about an accreted mass of memory from a life spent mostly reading. Wordsworth. Ovid. Forster. A.S. Byatt. My mother chanting 'daffy-down-dilly'. The perfume I wore circa 1981, whose name I now can't remember, but which smelt of hyacinths, dense and ever so slightly bruised, not exactly sweet.
There were two lemons amongst the plums, to intensify the colour. How would one find the exact word for the colour of the plum-skins? (There was a further question of why one might want to do so ... It was a fact that the lemons and the plums, together, made a pattern that he recognised with pleasure, and the pleasure was so fundamentally human it asked to be noted and understood.)
... Language might relate the plum to the night sky, or to certain ways of seeing a burning coal, or to a soft case enwrapping a hard nugget of treasure. Or it might introduce an abstraction, a reflection, of mind, not mirror. 'Ripeness is all,' language might say, after observing 'We must endure Our going hence even as our coming hither.' Paint too could do these things. ... Van Gogh's painting of the Reaper in his furnace of white light and billowing corn said also 'Ripeness is all.' But the difference, the distance, fascinated Alexander. Paint itself declares itself as a force of analogy and connection, a kind of metaphor-making between the flat surface of purple pigment and yellow pigment and the statement 'This is a plum.' 'This is a lemon.'
... Alexander ... became obsessed with a small painting of a breakfast table, on which Van Gogh painted the household things he had bought for his artist's house ... held together by the contrast and coherence of blue and yellow. Vncent described it to Theo:A coffee pot in blue enamel, a cup (on the left) royal blue and gold, a milk jug checkered light blue and white, a cup (on the right) white with blue and orange patterns on a plate of earthenware yellow-grey, a pot of barbotine or majolica blue ... finally two oranges and three lemons: the table is covered with a blue cloth, the background yellow-green, thus six different blues and four or five yellows and oranges.
-- A.S. Byatt, Still Life
Any sighted combination of blue and yellow has immediately evoked these pages from Still Life ever since I first read it, and the date I've written on the flyleaf is 1985.
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